Skip to content
  • Home
  • About
    • About the Process
    • About Dr. Hecker
  • Lectures
  • Interviews
  • Articles, Essays & Op Eds
    • Due Diligence and Moral Rights
    • Due Diligence and Cultural Heritage
    • Due Diligence and Art Collecting
    • Due Diligence and Art Law
    • Due Diligence and Museums
    • Due Diligence and The Art Market
    • Attribution / Authenticity
    • Posthumous Casts
    • Catalogue Raisonnés
    • Due Diligence and Experts/Expertise
  • Education
  • Advocacy
  • Contact
  • Home
  • About
    • About the Process
    • About Dr. Hecker
  • Lectures
  • Interviews
  • Articles, Essays & Op Eds
    • Due Diligence and Moral Rights
    • Due Diligence and Cultural Heritage
    • Due Diligence and Art Collecting
    • Due Diligence and Art Law
    • Due Diligence and Museums
    • Due Diligence and The Art Market
    • Attribution / Authenticity
    • Posthumous Casts
    • Catalogue Raisonnés
    • Due Diligence and Experts/Expertise
  • Education
  • Advocacy
  • Contact

by admin
on April 26, 2021

 

Sharon Hecker and Giuseppe Calabi, “L’originale e i suoi cloni quale equilibrio tra copyright e ricerca?” We Wealth Magazine. Read

Categories:

Articles

Tags:

Attribution and AuthenticityDue Diligence and Art CollectingDue Diligence and Art LawDue Diligence and Cultural HeritageDue Diligence and Moral RightsDue Diligence and MuseumsDue Diligence and the Art MarketWe Wealth Magazine

Post navigation

Previous post “L’autocertificazione per la circolazione di opere d’arte”

Post navigation

Next post Un ‘falso’ Van Gogh che in realtà era autentico

Comments are closed

© 2025 The Hecker Standard®. Created for free using WordPress and Colibri